Karen E. Overbey & Benjamin C. Tilghman Download PDF Recommended citation: Karen E. Overbey and Benjamin C. Tilghman, “Active Objects: An Introduction,” Different Visions: New Perspectives on Medieval Art 4 (2014)....
Joseph Salvatore Ackley • Institute of Fine Arts, New York University Download PDF Recommended citation: Joseph Salvatore Ackley, “Copper-Alloy Substrates in Precious Metal Treasury Objects: Concealed and Yet Excessive,” Different Visions:...
Benjamin C. Tilghman • Lawrence University Download PDF Recommended citation: Benjamin C. Tilghman, “On the Enigmatic Nature of Things in Anglo-Saxon Art,” Different Visions: New Perspectives on Medieval Art 4 (2014)....
Genevra Kornbluth • Independent Scholar Download PDF Recommended citation: Genevra Kornbluth, “Active Optics: Carolingian Rock Crystal on Medieval Reliquaries,” Different Visions: New Perspectives on Medieval Art 4 (2014)....
Alexa Sand • Utah State University Download PDF Recommended citation: Alexa Sand, “Materia Meditandi: Haptic Perception and Some Parisian Ivories of the Virgin and Child, ca. 1300,” Different Visions: New Perspectives on Medieval Art 4...
Beatrice Kitzinger • Stanford University Download PDF Recommended citation: Beatrice Kitzinger, “The Instrumental Cross and the Use of the Gospel Book Troyes, Bibliothèque Municipale MS 960,” Different Visions: New Perspectives on Medieval...
