The Bayeux Tapestry: New Interpretations
by Marian Bleeke As the ample bibliography included in The Bayeux Tapestry: New Interpretations attests, the tapestry or embroidery has generated a flood of scholarship beginning in the nineteenth century and continuing throughout the twentieth.((I use the...
Introduction: Visualizing Female Sexuality in Medieval Cultures
Sherry C. M. Lindquist • Western Illinois University Download PDF This issue of Different Visions dedicated to the visual representations of female sexuality in medieval cultures originated in a conference session at the International Medieval Congress at Leeds in...
Theologizing or Indulging Desire: Bathers in the Sacra Parallela (Paris, BnF, gr. 923)
Mati Meyer • The Open University of Israel Download PDF Recommended citation: Mati Meyer, "Theologizing or Indulging Desire: Bathers in the Sacra Parallela (Paris, BnF, gr. 923)," Different Visions: New Perspectives on Medieval Art 5 (2015). DOI:...
“Hag of the Castle:” Women, Family, and Community in Later Medieval Ireland
Marian Bleeke • Cleveland State University Download PDF Recommended citation: Marian Bleeke, “'Hag of the Castle:' Women, Family, and Community in Later Medieval Ireland," Different Visions: New Perspectives on Medieval Art 5 (2014)....
The Bared Breast in Medieval Ashkenazi Illumination: Cultural Connotations in a Heterogeneous Society
Sarit Shalev-Eyni • The Hebrew University of Jerusalem Download PDF Recommended citation: Sarit Shalev-Eyni, "The Bared Breast in Medieval Ashkenazi Illumination: Cultural Connotations in a Heterogeneous Society," Different Visions: New Perspectives on...
Si grant ardor: Transgression and Transformation in the Pühavaimu Altarpiece
Elina Gertsman • Case Western Reserve University Download PDF Recommended citation: Elina Gertsman, "Si grant ardor: Transgression and Transformation in the Pühavaimu Altarpiece," Different Visions: New Perspectives on Medieval Art 5 (2014)....
Active Objects: An Introduction
Karen E. Overbey & Benjamin C. Tilghman Download PDF Recommended citation: Karen E. Overbey and Benjamin C. Tilghman, "Active Objects: An Introduction," Different Visions: New Perspectives on Medieval Art 4 (2014). https://doi.org/10.61302/SYAQ1276....
Copper-Alloy Substrates in Precious Metal Treasury Objects: Concealed and Yet Excessive
Joseph Salvatore Ackley • Institute of Fine Arts, New York University Download PDF Recommended citation: Joseph Salvatore Ackley, "Copper-Alloy Substrates in Precious Metal Treasury Objects: Concealed and Yet Excessive," Different Visions: New...
On the Enigmatic Nature of Things in Anglo-Saxon Art
Benjamin C. Tilghman • Lawrence University Download PDF Recommended citation: Benjamin C. Tilghman, "On the Enigmatic Nature of Things in Anglo-Saxon Art," Different Visions: New Perspectives on Medieval Art 4 (2014). https://doi.org/10.61302/TPMM7414....
Active Optics: Carolingian Rock Crystal on Medieval Reliquaries
Genevra Kornbluth • Independent Scholar Download PDF Recommended citation: Genevra Kornbluth, "Active Optics: Carolingian Rock Crystal on Medieval Reliquaries," Different Visions: New Perspectives on Medieval Art 4 (2014). https://doi.org/10.61302/HOUR8146....